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Download Ebook , by Tom Stoppard
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, by Tom Stoppard
Download Ebook , by Tom Stoppard
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Product details
File Size: 757 KB
Print Length: 132 pages
Publisher: Grove Press; Reprint edition (December 1, 2007)
Publication Date: December 1, 2007
Language: English
ASIN: B008V4619G
Text-to-Speech:
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Amazon Best Sellers Rank:
#141,623 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Just one of my favorite lines from this fine play is "What a fine persectution--to be kept intrigued without ever being enlightened." That is the predicament of two bit players in the grand pageant that is Shakespeare's Hamlet. They know little about their childhood friend and less about court intrigues. They are we, and we are they. Like Rosencrantz, we observe closely and infer. Like Guildenstern, we trust that reason and precedent will deliver truth. For these poor fellows, neither experience nor reason enlightens and they end with a whimper, not a bang. The play is--well, playful. Stoppard plays with language, belief, classic characters, life and death. Read it aloud. Read it to yourself. Reread Hamlet, then read Stoppard's play again. Keep a copy near and dip into it in idle moments. It will delight and inform.
Rosencrantz and Guildenstern show us the problem with free will is that humans are potentially completely reactionary, despite our attempts not to be. The theater of the absurd dramatizes the problem of free-will as a ridiculous concept. In Stoppard’s play the best parts were the futility of Rosencrantz and Guildenstern on the boat wondering what happens once they get to England. In our everyday lives we act the same way toward upcoming events, and while many of us just reassure ourselves with assumptions on what we will do, in reality we have no idea. That is because in a given situation we are forced to interact with what is thrown at us. Even the ultimate sign of free-will, reading self-help books, is spurred by personal failures caused by the situations thrown at us. Rosencrantz and Guildenstern get “self-help†from the player, but as Stoppard points out, all of us are on the same boat. The difference is that some of us are willing to make more assumptions and cling to values than others. Meanwhile, Rosencrantz and Guildenstern refuse to do such a thing.
I love this play, such a wonderful piece of work, masterfully written, so funny, very creative to see how the author took what most thought to be flat unimportant characters from Shakespeare HAMLET and gave them life. LOVE THIS PLAY
R+G was a challenge for me to understand. I'm glad I also got the Sparknotes Guide and the blue ray movie! I already am feeling rewarded.
From the uncomparable genius of Tom Stoppard comes a quotable masterpiece about two friends lost in someone else's story. While the rest of Shakespeare's characters remain true to their original script, Ros and Guil step out of the box to explore a variety of topics ranging from the metaphysical to the downright comical. As the title suggests, the story is, ultimately, a tradegy -- but as the reader gets to know the two stars, it becomes a tragedy on multiple levels. One feels that their deaths are preordained, and even the moments of sidesplitting hilarity are laced with the bittersweet knowledge that it WILL end. The story is made still more touching as the characters' early realization of their fate battles with their unquenchable hope. Stoppard has captured in Rosencrantz and Guildenstern a sense of innocence that endures despite the chaos around them in a world where it seems even the laws of physics have suddenly ceased to apply. A perfect mixture of comedy and tragedy with a philosophical overtone attainable only by Stoppard, this is a play you will want to read, re-read, and act out with your friends in daily conversations.
If you are going to a revival of this play, read this first. It's brilliant, but VERY talky. Also read Hamlet, to see the brilliance of Stopped's work
i never remember if I cut my toe nails more often or my finger nails... let's flip a coin
It's like a funny little side story of two characters from Hamlet.
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